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		<title>Crítica &#124; Papai é Pop enxerga a  paternalidade com um senso de realidade</title>
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		<dc:creator><![CDATA[Laura Bragança]]></dc:creator>
		<pubDate>Mon, 15 Aug 2022 19:47:31 +0000</pubDate>
				<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Crítica de Cinema]]></category>
		<category><![CDATA[cinema brasileiro]]></category>
		<category><![CDATA[Cinema Nacional]]></category>
		<category><![CDATA[Emicida]]></category>
		<category><![CDATA[Lázaro Ramos]]></category>
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					<description><![CDATA[Papai é Pop se difere do mainstream e traz pautas transparentes ao cinema brasileiro]]></description>
		
		
		
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		<title>Revisitando Bete Balanço &#124; Barão Vermelho e estética pop inovaram o cinema nacional em 1984</title>
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		<dc:creator><![CDATA[Raphael Castilho]]></dc:creator>
		<pubDate>Fri, 18 Jun 2021 19:04:38 +0000</pubDate>
				<category><![CDATA[Opinião]]></category>
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		<category><![CDATA[Bete Balanço]]></category>
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					<description><![CDATA[Filme com trilha sonora do Barão Vermelho usou pop-art e videoclipes para contar a história de uma jovem em busca do sucesso]]></description>
		
		
		
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		<title>Estrelado por Marco Nanini, drama “Greta” chega aos cinemas</title>
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		<dc:creator><![CDATA[Felipe Sapatini]]></dc:creator>
		<pubDate>Wed, 09 Oct 2019 18:40:53 +0000</pubDate>
				<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Cinema Nacional]]></category>
		<category><![CDATA[lgbt]]></category>
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					<description><![CDATA[“(&#8230;) Para pessoas dispostas a tentar se apaixonar contra todas as possibilidades.” Essa frase faz parte da crítica&#8230;]]></description>
		
		
		
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